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Disney’s ‘Death on the Nile’ Trailer Attempts to Hide Armie Hammer, But Press Tour Remains Uncertain

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After six delays across two years, Disney is finally forging ahead with plans to premiere “Death on the Nile,” the upcoming murder mystery thriller from director Kenneth Branagh.

But before the star-studded whodunit lands on the big screen, the studio will have to navigate a potential PR nightmare surrounding Armie Hammer, who has faced sexual abuse allegations after filming was complete. His involvement in the movie’s press tour, which would be de rigueur for any actor with a prominent role, remains unclear.

In the months following rape and abuse accusations, Hammer has been all but officially ousted from Hollywood, exiting Jennifer Lopez’s “Shotgun Wedding,” the thriller “Billion Dollar Spy,” the Paramount Plus series “The Offer” and the Broadway play, “The Minutes.” He was also dropped by his talent agency, WME. Hammer has denied all allegations that have been leveled him and recently exited a treatment facility.

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In the case of “Death on the Nile,” however, Disney had previously implied it had no plans to recast Hammer or cut around his role. In the newly released trailer, it’s clear the studio attempted to minimize, though not completely erase, his appearance. Throughout the two-minute clip, he materializes several times but barely utters a sentence of dialogue. Disney also revealed a new poster, in which Hammer is prominently featured.

Disney had the option to reshoot parts of the film or recast Hammer’s role, but those choices were never strongly considered because it would have cost tens of millions. Extensive digital editing would have essentially been impossible because Hammer is the male lead. It also would have been nearly impossible to re-assemble the A-list ensemble given COVID-19 restrictions and busy schedules.

As previously reported, Hammer has been accused of rape, sexual assault and abusive behavior by extramarital partners. Hammer has vehemently denied the claims, though the criminal allegations led to an LAPD investigation with Hammer as the prime suspect — something that Disney learned about as the news hit the press. Earlier in the year, an attorney for Hammer said he “has maintained that all of his interactions … have been completely consensual, discussed and agreed upon in advance, and mutually participatory.”

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The upcoming press tour for “Death on the Nile” could become a headache because even if Hammer doesn’t participate, the remaining cast members could be peppered with questions about Hammer rather than their work on the movie.

Disney, as well as Hammer’s representatives, declined to comment.

There were rumors percolating that Disney would skip theaters entirely entirely and instead premiere “Death on the Nile” on either Disney Plus or Hulu, but due to contractual obligations as a 20th Century acquisition, Disney has to release the film in theaters. Plus, sources believe the movie has real commercial prospects on the big screen. After all, it’s predecessor, “Murder on the Orient Express,” was a huge box office success, earning more than $350 million at the worldwide box office.

Luckily for Disney, Hammer is only one of many famous faces in the movie. “Death on the Nile” centers on Branagh as famed detective Hercule Poirot as he investigates the murder of a young heiress aboard a cruise ship that is sailing on the Nile River. Along with Hammer and Branagh, the starry cast includes Gal Gadot, Letitia Wright, Annette Bening and Russell Brand.

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Disney hasn’t commented on Hammer’s involvement, and has instead opted to play up Branagh’s vision.

“Ken’s sweeping, elegant vision for this classic story deserves to be seen on the biggest screen possible,” 20th Century Studios production president Steve Asbell said in a statement. “We’re so proud of this film, our brilliant cast, and the stellar work that went into bringing ‘Death on the Nile’ to screen. We know that audiences can’t wait to experience Hercule Poirot’s next adventure, and we’re thrilled to continue working with Ken as he lends his masterful storytelling vision to the newest film in this celebrated franchise.”

James Prichard, chairman and CEO of Agatha Christie Ltd., adds, “More than 100 years after the publication of Agatha Christie’s first novel, her crime fiction works remain immensely popular and continue to be discovered anew by people around the world. I’m thrilled that Disney and our partners believe in this franchise, which has helped introduce millions of new fans to Christie’s classic works. We’re honored to be in business with Disney, Ken, and all who are dedicated to preserving the long legacy of these titles for future generations.”

Watch the new trailer below:

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‘Utama’ Producers Reteam for Marcos Loayza’s ‘Los Abrazos’ (EXCLUSIVE)

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The producers of Sundance world dramatic competition entry “Utama,” Bolivia’s Alma Films and Uruguay’s LaMayorCine, have re-teamed for “Los Abrazos” (“The Embrace”), the sixth fiction feature of Marcos Loayza.

The father of “Utama” director Alejandro Loayza Grisi and a lauded filmmaker in Bolivia, Loayza’s credits include his career-launching 1995 drama “A Question of Faith” (“Cuestion de Fe),” adventure pic “Averno” and the docu series “Planet Bolivia” where his son served as DP.

“’Los Abrazos’ is in quite an advanced phase and we hope to shoot it by the end of this year or early next,” said Federico Moreira of LaMayorCine who is hoping to enlist an Argentine co-producer for the drama which they expect to film on location in Bolivia, Uruguay and Argentina. Alejandro Loayza Grisi will likely serve as DP. Alma Film’s Santiago Loayza Grisi is Alejandro’s brother.

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“There’s a good energy among the father and sons, they work well together,” said Moreira who is also a sound director on “Utama” and whose more than 30 years old award-winning post-production house also owns and operates Uruguay’s first and only Dolby-certified sound mixing room and four recording studios.

“In the past five years or so, since we launched the Dolby sound mixing room, we have participated in around 100 films,” said Moreira.

“Los Abrazos” pivots on an exile who, after some two decades away, sets out on a return journey to his homeland in a bid to recapture his memories of home. This prompts his son to travel from the capital to the border to meet up with his father. Both embark on their journeys for different reasons, one to recover his past and the other to find himself.

LaMayorCine has several other films in development. Among them is horror thriller “El Huraño,” which they hope to send to the work in progress sections of the film festivals of Sitges (Spain) and Busan (Korea). Written and to be directed by brothers Rafa and Bernardo Antonaccio (“In the Quarry”), “El Huraño” is also a cautionary tale about the environmental damage wrought by man, in this case, by a soybean agriculture business whose indiscriminate use of pesticides provokes a young man who suffers from a clinical lycanthropy disorder.

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Another fiction feature in development, set in the Andes and mostly in the Quechua indigenous language like “Utama,” is “La Hija” (“The Daughter”) by Alvaro Olmos Torrico, which counts on the support of the Ibermedia program and has Martin Boulocq’s CQ Films, Rodante Films and Londra Films as associate producers.

LaMayorCine has a slew of documentaries in the works. These include “El Sabalero,” to be helmed by Enrique Fernandez (“The Pope’s Toilet”), about the late Uruguayan singer, composer and guitarist José María Carbajal, otherwise known as El Sabalero.

Two of the docs are soccer-themed: “Roofing,” most of it already shot, about a group of Costa Ricans who pretended to be a soccer team in order to settle in the U.S., and “In the Crowd,” now in post, which follows the bereaved mothers of two soccer fans, one of whom killed the other in one of the worst cases of hooligan crimes in Argentina.

Doc delves into the underworld of rival hooligan gangs and examines the culture of violence that has caused hundreds of deaths in Argentina.

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LaMayorCine has two dramas currently shooting across Uruguay: “The Abandoned Paths” by Miguel Zeballos and “7 Balas” by Sebastian Perez.

Veronica Chen’s “Los Terrenos” is slated to shoot in May. Chen’s “High Tide (“Marea Alta”) where Moreira was a co-producer and sound director, screened at Sundance two years ago.

According to Moreira, production is booming in Uruguay because of several factors: first because Uruguay managed the Covid-19 pandemic well, vaccinating most of its population; second, it offers generous tax incentives; and third, because it is safe compared to Argentina and Brazil.

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Unique Beatles and John Lennon Items From Julian Lennon’s Collection Up for NFT Auction (EXCLUSIVE)

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John Lennon’s coat from the “Magical Mystery Tour” film, his cape from “Help!,” three guitars, and Paul McCartney’s handwritten arrangement notes for “Hey Jude” — all from John’s son Julian’s private collection — are going up for NFT auction on Feb. 7, the first in a series to be rolled out over the coming months. “Lennon Connection: The NFT Collection” is presented by NFT marketplace YellowHeart and Julien’s Auctions.

The auction, the first all-NFT effort mounted by Julien’s Auctions, will open for bidding January 24 and commence in real time and in lot order for live bidding at 10:00 a.m. Pacific Time on February 7, 2022, live in Beverly Hills and online at juliensauctions.com.

Each item will be offered as an audio/visual collectible, with a personal narration from Julian. Descriptions and videos of the items appear below; the items themselves are not up for auction.

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“I’ve been collecting these personal items for about 30 years, and I was getting a bit fed up with them being locked away in a vault, where I’ve had to keep them because I didn’t want them to get damaged,” Lennon tells Variety. “We did a few exhibitions in Europe with the items, and my intention was to take the collection and tour it, and I still hope to at some point in time, but obviously the last few years have not been helpful.

“I actually felt very bad about keeping all that stuff locked away, and I just felt that this was a unique way to continue dad’s legacy and to show people the collections I have, and with the videos and narration, to give people a little more than they would normally get and hear some stories that they haven’t heard before in a new art form and a different medium,” he continues. “This is a slow rollout over the next year or so of quite a few items. I have a lot of projects happening this year, including a new album, and these [items] tie in to a few of them. I can’t really say much more — you’ll understand why when it happens. The first release will be April 8 and that will inform you of the campaign going forward.”

“Julian has these incredible items in the physical world and these are 1 of 1 offerings in the digital world,” says YellowHeart founder Josh Katz. “We’re going to see a lot more of these physical/digital pairings in the years to come — it’s already happening with sneakers, and here you have a 1 of 1 digital representation of this priceless item. It’s a pretty special thing that Julian is doing.”

According to the announcement, the NFT offerings are a unique and non-interchangeable unit of data stored on the blockchain. Each piece is a 1 of 1 edition; Lennon will continue to own the only physical counterpart.

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A portion of the sale proceeds from this NFT collection will benefit Lennon’s White Feather Foundation, which will use the funds to purchase carbon removal from Nori in the form of Nori Carbon Removal Tonnes (NRTs). According to the announcement, each NRT represents one tonne of CO2-equivalent heat-trapping gas that has been removed from our atmosphere and stored in a terrestrial, subsurface, industrial or aquatic reservoir. Nori currently achieves this by working with farmers across the United States to adapt regenerative practices that increase carbon removal and sequestration. Once the carbon removal purchases have been made, White Feather will make public the Nori certificate of carbon removal which provides all information regarding the carbon removal transaction.

In their shared commitment to minimize environmental impacts, YellowHeart’s NFT platform exists on what is called “Second Layer” and “proof of stake,” which does not have the energy consumption of first layer Ethereum networks used by many providers.

Highlights include (with estimates):

Afghan Coat from “Magical Mystery Tour” 1:1 NFT (starting at $6,000)

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Four-year-old Julian was present on the set of the film “Magical Mystery Tour,” where his father John Lennon often wore this coat sometimes paired with pinstripe trousers and jewelry. Though very young at the time, he remembers the experience as “a bit crazy.” John also wore the coat at the launch party for the iconic album, “Sgt. Pepper’s Lonely Hearts Club Band.”

Afghan coat

“Hey Jude” Notes written by Paul McCartney 1:1 NFT (starting at $30,000) The 1968 Beatles’ masterpiece is frequently included on music lists of the greatest songs of all time. The first song released on the Beatles’ own Apple Records label, “Hey Jude,” originally titled “Hey Jules,” was written for Julian Lennon by Paul McCartney to comfort him during the time of his parents John and Cynthia Lennon’s divorce. The classic was the Beatles’ biggest-selling single in the U.S., having sold five million copies in the first six months of its release and became the number one song in 12 countries. Paul separated how he thought the song should be structured into four sections, with voices and instruments. These are his original notes, which include his personal doodles and drawings.

Julian adds to Variety, “He wrote that on the way to visit my mum and I once he’d heard the news [about the divorce]. It was a rainy day and he was in the car and started humming ideas and singing ‘Hey Jules,’ but it didn’t ring as well as ‘Hey Jude’ — at least this was his story to me many years ago — and the rest is history. It was only later in life that I really appreciated what he was trying to say and do for us, and I’m forever thankful for it. I also have a love/hate relationship with hearing it — not a week goes by that I don’t hear it in some capacity!,” he laughs, “but I’m truly honored that he did it, and Uncle Paul will always be my Uncle Paul.”

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Hey Jude

Black Cape Worn by John Lennon from the movie “Help!” – 1:1 NFT (starting at $8,000)

Though Julian was too young to have memories of this time, his mother Cynthia recalled how she and John learned how to ski in Austria during the film shoot for Help! This black cape was worn by John in the movie’s scenes filmed in the Alps.

Black cape

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Gibson Les Paul 25/50 Guitar Gifted by John Lennon to Julian Lennon 1:1 NFT (starting at $4,000)

This special-order rare 25/50 model was launched to commemorate the 25th anniversary of the Les Paul model guitar and the 50th anniversary of Les Paul’s career in music. A gift to Julian from John, this guitar was one that John used to teach Julian chords on and help improve his playing techniques when he would visit.

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Gibson Les Paul Guitar Copy Gifted by John Lennon to Julian Lennon 1:1 NFT (starting at $4,000)

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A Christmas gift from his father, Julian has played this Gibson Les Paul copy guitar on many occasions, but never publicly because it is too precious to him. “I never used it on record, but I probably wrote a few tunes on it. In my eyes, it was, and still is, the most beautiful guitar,” said Lennon.

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Gibson 1959 Guitar Gifted by John Lennon to Julian Lennon 1:1 NFT (starting at $4,000)

Used in some of Julian’s earliest performances at Kingsmead School in Hoylake, this was one of his favorite guitars because it had a short neck and was easier to play. A gift from his father, it holds a special place in his collection.

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1959 Gibson

Founded in 2017 by Katz, YellowHeart is an NFT marketplace for music NFTs, tickets, community tokens and more, working with artists such as the Kings of Leon, Maroon 5, the late XXXTentacion, Brandi Carlile, ZHU, Burnley F.C., and others.

Julien’s Auctions has previously sold such Beatles items as one of John Lennon’s acoustic guitars, which sold for a record $2.4 million, Ringo Starr’s drum kit ($2.2 million), the drum head Ringo used on the “Ed Sullivan Show” in 1964 ($2.1 million), Paul McCartney’s handwritten lyrics to “Hey Jude” ($910,000) and more.

“Julien’s Auctions is honored to build on our rich legacy of Beatles iconography auctions in our inaugural all NFT event with Julian Lennon. We are proud to partner with Julian who’s offering these one-of-a-kind NFT collectibles of his extraordinary personal collection of John Lennon’s artifacts used during his time as a Beatle and the special time they spent together as father and son,” said Darren Julien, President/Chief Executive Officer of Julien’s Auctions. “Added to our excitement is our collaboration with YellowHeart, whose leadership in this marketplace fully launches Julien’s exciting and bold new chapter into the blockchain and NFT stratosphere.”

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